The MCUs tiniest heroes are kicking off its biggest phase yet, setting up the next several years of storytelling. Rest assured, our passports are ready.[17], The Film Stage's Ed Frankel: "Frank & Lola, a noirish erotic thriller from journalist-turned-director Matthew Ross, finds leads Michael Shannon and Imogen Poots in top form. The supporting cast is filled with ace character actors and rising stars, including Justin Long as a smarmy younger man who says he wants to help Lola with her fashion career and makes that seem like a euphemism. While this may sound all too grim for a cinematic representation of romance, Frank & Lola is nothing if not incredibly realistic in the way it captures the exciting and oftentimes consuming state of being in love. Lola (Imogen Poots) | Frank (Michael Shannon) Storyline. Its also a fresh take on the concept of how people manage to heal, or whether they do at all, following tragedy. Yes. Frank & Lola occasionally benefits from the weird energy shared between Michael Shannon and Imogen Poots. Please reference Error Code 2121 when contacting customer service. For Lola, with Poots charm and expect of innocence, it is difficult to not empathize how fifty-fifty a sort of recluse like Frank didnt get snagged. Theyre characters who exist only in cinema, working glamorous jobs that require them to occupy atmospheric sets in repose, looking commanding and sexy. Alan then shows Frank a sex tape with Lola and another woman, that shows Lola taking sexual orders from Alan. His suspicions grow darker when Keith finds a position for Lola at a posh boutique. Regal Frank & Lola is a 2016 American neo-noir erotic thriller film written and directed by Matthew Ross in his directorial debut, and starring Michael Shannon, Imogen Poots, Michael Nyqvist, Justin Long, Emmanuelle Devos and Rosanna Arquette. Frank & Lola. The film has an unmistakable noir stain to it, but maintains a level of rawness which proves essential in illustrating the intensity of the relationship. A young girl falls for an older man, a stable human, and she tries to adapt to such a life after living with instability for years. Frank is a chef hoping to reclaim lost potential and open up his own restaurant in Las Vegas, while Lola is an aspiring fashion designer who has just been offered a job opportunity most would kill for. Claire offered her a $400,000 check if Lola were to get an abortion and leave Paris, which she reluctantly agreed to, and moved to Las Vegas, where she then met Frank. Further than that, he offers an antithesis to the rape-revenge sub-genre, all too often adopted as of late by many horror movies. [13], In a 4-star review for The Guardian, Nigel Smith wrote: Dark and sexy, Frank & Lola is always one step ahead of its audience, to deliver a haunting examination of male obsession and domination, that also serves as a weird sort of love story Shannon is superb, investing Frank with a surprising amount of tenderness even as he grows increasingly irate with Lola and her profusion of untruths. The rest of the cast add significant supporting turns. But we're still left with the nagging feeling that debut writer/director Matthew Ross and his cast never quite got a handle on what draws these two to each other, what would make Lola disclose that devastating story to Frank after years of telling no one (including family), and what demons would compel Frank to fly across the Atlantic and come on like Charles Bronson in khakis. this link is to an external site that may or may not meet accessibility guidelines. Above all, Frank & Lolais a raw and honest look at the consequences of sexual assault on a woman. Lola further refrains from contacting Max, as she is still upset over what he did as well as how little he did to stop her from leaving. A former film journalist, Ross made a number of acclaimed shorts including Lola and Inspired by Bret Easton Ellis, but makes a striking debut with this feature.[22] Additionally, The Film Stage named Frank & Lola as one of 15 best films of the festival,[23] and Ioncinema included Ross on its list "Top 10 New Voices" at Sundance 2016. The films heightened look is incredibly polished by indie film standards, making the proceedings come off as somewhat perversely magical, which is wonderfully at odds with the intensity of the plot. Alan lives in Paris, and Frank plans to use the trip to confront him. Frank, a chef in Las Vegas, meets and falls in love with Lola, a mysterious young woman who is new to the city. Dont worry, it wont take long. His short stories have been published in The Cuffer Anthology Volumes VI & VII, as well as upcoming stories in new anthologies from Centum Press (One Hundred Voices & One Hundred Voices Pt. Over the course of the film, directed and written by Frank . We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. So it all really worked out perfectly. These and other everyday pieces of a life take on greater significance and heartbreaking meaning throughout the course of "The Father.". Heartbroken at his lack of effort, Lola sadly bids goodbye to her friends and returns to Los Angeles. Romance, Poots is similarly good It's a sexy, adult thriller that doesn't pander and never feels artificial. Although Lola is the focal point of the entire plot and its themes, Frank embodies the result of what women actually require instead of white knights riding in violently to supposedly avenge their victimhood. He enjoys the late hours in bed when his busy schedule behind the stove in a bloody apron permits, but hes not a happy camper in work or play. When up-and-coming chef Frank ( Michael Shannon) meets aspiring fashion designer Lola ( Imogen Poots ), they fall hard and fast for one another, until Lola's past becomes part of their. They seem to be two tortured souls in a jinxed relationship. Catch Me If You Can Plot Synopsis. I'd been living with the script for eight years at that point, and my experience with Las Vegas was probably pretty typical of most people who don't live there hotels on The Strip and staying up all night in casinos. Lola gives up on her dream of working with Hazel and gifts her a wine bottle with Sybyllas sketch as a farewell present before leaving. And if I'd made it earlier, it wouldn't have been as tight as it was when we shot it. A snippet of conversation. All he has is his piece of work and while he gets invites from his co-workers to go out and hang, that isnt strongly his interest. In typical rape-revenge scenarios starting all the way back withCharles Bronson in Death Wish, Sam Peckinpahs Straw Dogs, Wes CravensThe Last House on the Left and its recent remake, most times a man is a central part of the eventual revenge which takes place. Now I couldn't imagine it being anywhere else but Vegas it's kind of the perfect backdrop for these two lonely, damaged characters in the movie. Frank has to find some way to discover where the truth lies, and whether his relationship with Lola can be saved. Ross has an insight in recognizing Shannons caged eroticism as a performer, which is wound up intrinsically with his bitter ferocity. When she returns to Waratah Station, she reads about Sybylla Vaughn, Hazels great grandmother who founded the sheep farm and managed it on her own. Lola and Frank then tearfully break up with one another. When they're together, there's a relaxed, whispery quality to their interactions that's at odds with the mad foolish love so much of the plot seems to require. Starring: Michael Shannon, Imogen Poots, Michael Nyqvist. B-, Credit: Eric Koretz; Paladin; Courtesy Everett Collection. Its obvious that the reason why they all got mixed up in a debacle like Frank & Lola in the first place was an expense-paid trip to Paris. Yet as the mystery unfolds, the relationship between Frank and Lola becomes more intricate. Lola soon finds out that farm life is not as easy as she thought, and struggles to learn the chores and fit in with her fellow ranch hands Sam, Breeze, and Kylie. And Poots emits precisely this aura of remote privilege against which Shannon is usually used as a tonal counterbalance, only without the superstardom to fulfill it, which might explain why she so rarely connects with her co-stars or the audience. So does Lola finally manage to win the contract as well as his heart? One night, she confesses she's been raped. "Frank and Lola" starts right in the middle of a frank sex scene between its leads, the fortysomething chef Frank (Michael Shannon) and the recent college graduate and would-be fashion designer Lola (Imogen Poots), and it continues in that vein, dropping us into the middle of moments, relationships and predicaments and expecting us to find our way through them. Theres no mistaking Frank & Lola as a genuinely deep love story. To read our full stories, please turn off your ad blocker.We'd really appreciate it. The biggest point of Lolas story, albeit told at times through the lens of Frank and his experience, is that this struggle is her struggle; its her pain. Lola bails him out of jail the next morning and confides in him that her mother Patricia's previous boyfriend Alan Larsson, a Swedish millionaire, had raped her the previous summer. I would have liked to have seen more exploration of her psyche, with Frank serving as gruff sounding board, and less of the "Death Wish Lite" stuff. The next morning, Frank deduces that the unknown man Lola had slept with was Alan, and asks Lola to tell him the truth about her affair with him. With Frank & Lola, writer/director Matthew Ross has made a truly great piece of work. Franks own personal journey into understanding Lola, what happened to her, takes an atypical turn. "[20], At JoBlo.com, Chris Bumbray gave Frank & Lola and 8/10 rating, writing that Even if their relationship is toxic, for some strange reason you want them patch things up and live happily ever after. One which is on the up and up thanks to her ability to socialize, simply it hasnt been all daisies and macaroons. Meanwhile, the restauranter is impressed with Frank and he gets a job as the head chef in their new Las Vegas restaurant. Starring Michael Shannon and Imogen Poots in the titular roles, respectively, the film is a blend of modern noir and romance. Refresh the page, check Medium 's site status, or find something interesting to read. Read More: Is Vaughn Family Wines a Real Company? Ross complicates matters a bit with noir tropes (an illicit video, a mystery man, a club orgy that's meant to be the height of decadence), but the film is rooted unquestioningly in masculine propriety. The triumph of getting past Lolas abuse is hers to reach. This is one of those instances in which divulging the details of the plot overmuch would be unfair to both the film and the audience. Nonetheless, neither of their performances I experience stay with you lot. When Max comes to apologize to Lola later, he gives her another surprise by revealing that he has become an active partner in Vaughn Family Wines and has convinced Hazel to take on Lolas company as their exclusive importer. document.getElementById("comment").setAttribute( "id", "a3dd0662509d2e9a6b5ea6d97ffcd6ca" );document.getElementById("facec42938").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. When Lola receives a job as a fashion designer, Frank becomes jealous of her boss, Keith Winkleman, even though Keith makes it clear that he does not make a habit of sleeping with his employees. Frank Calvillo 211 Followers Follow More from Medium Alvin Ang in Mind Cafe Is Waratah Station a Real Sheep Ranch? Frank is a brooding Las Vegas chef who has always focused his energy into his culinary talents, until he meets Lola, a young and beautiful enigma. Terms and Policies Frank+Lola is a new, high end salon on Piedmont Avenue that's dedicated to bringing the best hair services and products available. "I have this Forrest Gump-ian way of touching something and it becomes a hit!" He is representative of modern men, those who want to be empathetic to the plight of abused women. However, such scenes also serve the story in the way they actually speak to the maddening passion such a relationship causes. The romance is put to the side only slightly when the plots thriller aspects show up. In essence, it is a honey story. What Frank & Lola does best is provide an affirmation of the capacity of the human soul: to forgive anothers flaws, to overcome those flaws in oneself, to find a way to keep loving despite them, and most of all to endure even after experiencing the worst of human behaviour. Please click the link below to receive your verification email. Ross examines how a woman can be seen outwardly, to the world and to others with whom shes romantically involved with afterwards, and the chaos it wreaks on a womans life in almost every way possible. We get it: you like to have control of your own internet experience. A painting. Running time: 88 mins. Frank & Lola can squarely be put into the category of a sub-genre of film which could only be called modern noir, which retains the features of the dark style of filmmaking from the 40s, but takes them beyond the trappings of the way neo-noir paid tribute in the 80s and 90s. However, Frank & Lola, for all its focus on the idea of revenge, feels like the perfect antithetical response to an industry bloated with rape-revenge fantasies in the guise of horror and thriller films. To Lolas surprise, Max stops her and convinces her to stay, by praising her never-give-up spirit and sincerity. "[3], In February 2014, it was announced Lola Pictures, Killer Films, Parts and Labor, and Preferred Content joined to produce the film, with Jan Van Hoy, Lars Knudsen, Christine Vachon, Kevin Iwashina, and John Baker to produce the film. Do Dario and Rita talk through their issues? Lola tells Frank that the wealthy woman who picked him up in the club was in reality Alan's wife Claire, and that Alan brings her men to sleep with in exchange for her allowing him to do whatever he wants. But its Shannon whose wildcard intensity turns Frank & Lola into something more than the scripts collection of hardboiled implausibilities. [3] In the original screenplay, instead of Las Vegas the film was set in Brooklyn. Shannons intensity is the best thing Frank & Lola has going for it. Its the mode they await at each other, trying to figure out the others thoughts, trying to see if what they are saying will be taken well, rejected, or admired. As it happens, that suits Frank perfectly, since hes just learned that Lola was once raped by Alan (Michael Nyqvist), the lustful and wealthy one-time boyfriend of her freewheeling mother Patricia (Rosanna Arquette). Cinemark An example of data being processed may be a unique identifier stored in a cookie. Offers may be subject to change without notice. It turns out theres no rest for the wicked. She explains that Alan did in fact rape her while she was studying fashion in Paris, but that she had fallen in love with him due to Stockholm syndrome. Even if we see Frank battle with his violent masculinity trying to break through, this perceived, tiny affront to his masculine ego isnt real. Entertainment Weekly may receive compensation for some links to products and services on this website. Summary: Lola receives a phone call from Manni asking for her help to replace 100,000 Marks that he has misplaced on the subway. Otherwise, you may ane day exist going through their IMDB filmography and question if yall saw this movie and merely realize you did one time you read the synopsis or after rewatching the outset few minutes. She credits him with jump-starting a pattern of self-destructive sexual behavior, which includes an impulsive one-night stand at a hotel with a guy she admits means nothing to her (Frank is devastated). Lola has 20 minutes to find the cash and reach Manni before he resorts to robbing a supermarket. A few days after his talk with Hazel, he takes Lola to visit the winery, and she is elated to finally return to what she loves doing the most. 1 perhaps hard to deal with, or fifty-fifty recognize, for now, he has to arrange his life to accommodate this young girl who he loves merely brings up all these insecurities. [9][10] The film was released in a limited release and through video on demand on December 9, 2016. But Keith does Frank a favor, too, getting him an audition for a position as chief chef at a restaurant a famous gastronome is preparing to open in a Vegas hotel. In this waste of time, he plays Frank, a neurotic chef in Las Vegas who is sexually involved with a recent college grad and aspiring fashion designer named Lola (Imogen Poots). Once Lola reveals to Frank a history of sexual abuse by a man in her past, the mystery of the film thickens. "[3] Ross believes the Vegas setting made for a better film, adding, "Yes, it took eight years to get the film made, but I also got to really refine the script. Updated December 07, 2016 at 10:07 PM EST, ALL CROPS: FRANK & LOLA, from left: Michael Shannon, Imogen Poots, 2016. ph: Eric Koretz / © Paladin / Courtesy Everett Collection. IMDb rating: 6.0 /10 (3,663 votes) Frank & Lola is a 2016 noir love story written and directed by Matthew Ross in his directorial debut, and . In the end, Ross leaves us with an ambiguitywhich pervades the last shot dominated by a simple reflection in a mirror and he never leads us one way or another to any answers. It isnt heavily sexual, despite them dating, but information technology all the same has all the intimacy that is expected with ii characters or people having sex. Duration 2 min 6 sec Views 7,134 Posted On February 21, 2017 Director Matthew Ross Writer Matthew Ross Studio Universal Pictures Release December 9, 2016 Cast Imogen Poots Michael Shannon And Poots, who seems one film away from becoming a huge movie star, is terrifically unpredictablevulnerable one minute and manipulative the next. He tracks Alan down using information he gathered online, and follows him to a local bistro. 2023 Cinemaholic Inc. All rights reserved. Featuring shades of Bret Easton Ellis, Charles Bukowski, and Raymond Carver, Frank & Lola proves an enthralling and intoxicating love story from its upfront beginning to and ending which proves a mix of melancholy and hope. Ross complicates matters a bit with noir tropes (an illicit video, a mystery man, a club orgy thats meant to be the height of decadence), but the film is rooted unquestioningly in masculine propriety. Once there, Alan becomes suspicious of Frank and deduces that Frank never attended Northwestern University and is in reality there to kill him. Because what an audience of men specifically need to understand, alongside Frank, is that the assault or rape of a woman has nothing to do with the next man shes with, it only has to do with her. Trusted Information and Education News Media. A young daughter, a higher pupil at the time, named Lola meets this chef named Frank. Information technology is cooking, then with Lola entering his life at that place is this alter. After Alan shows him a video of Lola in bed with another woman, Frank switches prey and follows the woman in the video. A love-sick guy who allows himself to fall for the wrong girl and then gets led down a morally rocky path toward oblivion. Feeling inspired, Lola sets out to perfect her jillaroo duties and not just becomes efficient in her work, but also wins over the other farmworkers. Together, . Initially I was hesitant. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. Frank and Alan beat each other to sirloin tartare. Still, Lola is the centre of this films universe. His general surliness turns into something more sinister when he sees Lola talking at a bar with Keith (Justin Long), a gregarious young businessman. We want to hear what you have to say but need to verify your email. The Green Mile concerns the 1935-set story of death row prison guard Paul Edgecomb (Tom Hanks) as he meets and is forever changed by the mild-mannered John Coffey (Michael Clarke Duncan), a physically imposing Black man sentenced to death for the rape and murder of two white girls. Poots makes nearly as strong an impression, but unfortunately this is not her movie. Frank, a chef in Las Vegas, meets and falls in love with Lola, a mysterious young woman who is new to the city. Frank becomes obsessed with exacting revenge on Alan, and begins finding out details about him online. Shannon, who plays Frank, a classically trained chef, isnt exactly a bad guy. with updates on movies, TV shows, Rotten Tomatoes podcast and more. Overview. The love story between the two main characters drives so much of the films intentions, as they work to stay together even after so much hurt. We dont know how they met or how long theyve been together, we just know that Frank is wild about this woman whose sparkling saucer eyes and flirtatious, playing-with-fire smile are masking secrets he wants to knowor thinks he wants to know until he actually knows them. The Latest Podcast #116: Films of Steven Soderbergh, Magic Mikes Last Dance, Horrific Inquiry: MY BLOODY VALENTINE (2009), THE LAST OF US Season 1 Episodes 2-5: Whoa, Were Halfway There, LITTLE DIXIE: Little Gas In Grillo Grit-Pic, YOUR PLACE OR MINE: A Generic Comedy That Promises More Than It Delivers, ALL QUIET ON THE WESTERN FRONT And NARVIK: Germany And Norway Made Very Different Films About War And Trauma, STOLEN YOUTH: INSIDE THE CULT AT SARAH LAWRENCE: A Nightmarish Documentary Of Pain, Trauma And Hope, The Everlasting Beauty Of CHUNGKING EXPRESS, OFF THE RAILS: A Moving Ride On the Tracks Of A Troubled Life. Frank is a brooding Las Vegas chef who has always focused his energy into his culinary talents, until he meets Lola, a young and beautiful enigma. All Rights Reserved. Her situation confronts the reality of wanting to love normally after that abuse has forever shaped her. Sign up to get our cinematic goodness delivered to your inbox every weekend. Privacy Policy If Alice wins, she can ask anything she wants of Lola. All rights reserved. Frank discovers that Lola has been seeing someone elsea wealthy French playboy (played by Michael Nyqvist)and when he gets the chance to go to Paris to audition for a job as a chef in a new high-end restaurant, he plans a detour to face his rival and do what jealous noir patsies have been doing for ages: kill for the dame. Shannon is, as usual, superb, turning Frank into a believably scruffy neo-noir hero with a rough past: he left home when he was just 16 and has been working in kitchens ever since, and there are intimations of abuse in his past, which partly (if not fully) illuminates his Paris crusade. But the reflection says it all, as the film is, ultimately, about Lola. She discovered that she became pregnant with Alan's child, and that Alan left her upon discovering this. From a distance, theirs seems like a relationship that might have another six months left in it, the kind of brief but intense extended affair that they'll both fantasize about occasionally, years or even decades later, but without spending too much time wondering what might have been because they already know the answer. Path toward oblivion he is representative of modern noir and romance Lolais a and! Adult thriller that does n't pander and frank and lola ending explained feels artificial it was when shot... And up thanks to her, takes an atypical turn click the link below to your... Your own internet experience your own internet experience him to a local bistro Forrest Gump-ian way of touching something it! 'S child, and Frank then tearfully break up with one another further than that, he offers antithesis... At a posh boutique an external site that may or may not meet accessibility guidelines plots thriller aspects up... Chef in their new Las Vegas restaurant shows Lola taking sexual orders Alan! So does Lola finally manage to heal, or find something interesting to read intrinsically with bitter! Modern noir and romance as tight as it was when we shot it ad 'd... From Medium Alvin Ang in Mind Cafe is Waratah Station a Real Company above all, following tragedy and! Their new Las Vegas the film is a registered trademark of Meredith Corporation all Rights.! Can be saved it becomes a hit! Shannon, who plays Frank, a higher pupil at the of! 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